Mr. Bennet’s Gooseberry Fool

This is not Mr. Bennet.  It’s Mr. Darcy, as portrayed by Colin Firth.

You’re welcome 😄

About 17 years ago I had to read Jane Austen’s Pride and Prejudice for a Great Books event I facilitated at Milwaukee School of Engineering.  “There’s a movie,” one of my friends told me.  Actually there were several, she corrected herself.  “You need to get the one starring Colin Firth.”  Every time I told anyone about my upcoming event they unfailingly asked whether I’d seen the movie and, upon learning I hadn’t, urged me to watch it—as long as it was “the one with Colin Firth.”

Colin Firth, Colin Firth, Colin Firth.  Who the heck was Colin Firth?  And why was everyone insisting I watch ONLY the film that had him in it?

As I put together my booklet of discussion questions and background info to give the evening’s participants, I came across the above photo, the first I’d ever seen of the actor.  Light bulb moment; I finally got it.

If you’ve never seen the BBC production of Pride and Prejudice, you really ought to.  Yeah, it’s the one with Colin Firth.  And it really is the best (although I also really love ITV’s Lost in Austen, a very funny 3-hour, 4-episode series that takes everything you think you know about Pride and Prejudice and turns it on its head).

But back to Mr. Bennet and his “Gooseberry Fool.”  In one of the BBC Pride and Prejudice DVD’s bonus features, Allison Steadman (who plays Mrs. Bennet) laughs about a scene at the dinner table in which the actors got to request which desserts they’d like to eat during the filming.  She wisely chose fruit, which required her to eat only a few grapes at a time. Benjamin Whitrow (Mr. Bennet) foolishly (no pun originally intended😄) asked for his favorite dessert, a “fool” (pudding/custard) made with a gooseberry sauce and lots of whipped cream.  Take after take he had to eat the rich dish, and by the time they finished shooting two days later, he said he could never eat it again.

Luckily for the rest of us, who didn’t have to gorge ourselves for the camera, Benjamin Whitrow’s gooseberry fool recipe is included in this bonus feature.  Even luckier, I happen to have a gooseberry bush in my yard, so I can pick all the fruit I want to each summer without needing to rely on grocery stores—which rarely carry gooseberries anyway.

An aside: gooseberry bushes are extremely hardy, super easy to maintain, and incredibly bountiful.  If you can find a bush, just dig a hole in your yard and stick it into the dirt.  The berries grow on old wood, similar to raspberries, so in autumn cut the bush back to about half its summertime size.  At least that is what has worked well for us; we have a relatively small amount of yard given over to the bush but LOTS of fruit.  If you can’t find a bush but can get your hands on a single gooseberry, just dig a shallow hole and plant it.  Or toss the gooseberry onto the ground in the general area where you’d like your bush to be. That’s about all there is to it.  As I said, very low maintenance!

In southeastern Wisconsin our gooseberries are usually ready to pick by the end of June.  They stay in pretty prime condition (tart-flavored and pale green with paler-shade stripes) throughout July.  By August and September the fruit has reddened and sweetened. Although my daughters used to pick the berries and eat them straight from the bush in whatever state of ripeness, the early, tart-tasting ones remain our favorite.  We leave the red ones for the birds, and by the time we’re ready to cut the bush back for the winter, all the gooseberries have been eaten.

Again, back to Mr. Bennet’s gooseberry fool, which I plan to make later this week.  Today I picked gooseberries from our bush, and no sooner had I started when I found this little frog (toad? I’ve never seen a green one though) sitting on a branch inside the bush, partially hidden under a leaf.  He hung on despite the bouncing around that accompanied every tug of berries from the branches.

frog on gooseberry bush branch

Being that the Colin Firth Pride and Prejudice is a BBC production, Mr. Bennet’s gooseberry fool recipe is written in metric units.  I had to translate them into standard American measurements, which I include here in case you’d like to try making this dessert yourself (and you live in America, like me; to make the recipe with metric measures, you need 500 g gooseberries, 30 g butter, 30 g sugar, and 350 mL cream.)

Before starting, wash the gooseberries and remove their stems and “tails.”  See the before-and-after photos below.  (Excuse my messy handwriting; I was in a hurry when I jotted this recipe down 🙂 )

Before Before
After After

To prepare the “Gooseberry Fool”:

  1. Melt 2½ Tbsp butter in a saucepan.  Add 2½ cups gooseberries and 2½ Tbsp sugar.  Simmer until gooseberries are soft.
  2. Press the sweetened pulp through a sieve.  Some people like the crunch that comes with leaving the seeds in.  Just as some people don’t mind eating grapes with seeds.  If you prefer seedless grapes, you’ll no doubt also prefer seedless gooseberry fool.
  3. Cool pulp (in the fridge).
  4. Whip 12 ounces (about 1½ cups) of heavy cream (preferably not ultra-pasteurized) until not-quite stiff peaks form.
  5. Fold (very gently, minimally stir) chilled pulp into the whipped cream.

I’m going to try some variations I found online, in which you fold in a touch of plain, unsweetened Greek yogurt to the cream after it’s whipped, and then layer the whipped cream, gooseberry pulp, and crushed almond or shortbread cookies in the serving glass, like a parfait.

I’m not really a “food blogger,” so there’s no photo of the finished product here. But I hope you like it if you’re inspired to give this recipe a try.  I think I’m going to make the fool on Friday—and have it as an end-of-week treat while watching Pride and Prejudice.

The one with Colin Firth 🙂

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Two Steeples

Found this photo just now while cleaning out the “Camera Roll” in my iPhone. I don’t remember taking this picture and have no idea why I did. But I like it, so thought I’d share it with you 😄

Milwaukee's City Hall and Old St. Mary's Church

Milwaukee’s City Hall and Old St. Mary’s Church

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Road Trip: Seattle

I had a conference to attend in Seattle last week, and since my daughters were able to come along this time, we made a bit of a vacation out of the trip.

Some pics:

A view of Puget Sound from our hotel room. LOTS of construction throughout Seattle! Hence the cranes.

A view of Puget Sound from our hotel room

No 13th floor in our hotel.

No 13th Floor

I don’t know why I love reflections so much, but I do.  Here is a cool “windowscape” I shot from our hotel room.

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And another, same building, but later in the day.

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And sunset reflected in the glass of a building.

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And a few minutes later . . .

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And a few minutes after that . . .

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Until finally . . .

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Of course, no trip to Seattle is complete without a monorail ride to the Space Needle. Both monorail and Space Needle were constructed for the 1962 Seattle World’s Fair.

From “1962 Seattle World’s Fair: A city in orbit,” The Seattle Times, Feb. 18, 2012; updated Mar. 3, 2012 (http://www.seattletimes.com/seattle-news/1962-seattle-worlds-fair-a-city-in-orbit/)

The Space Needle is located in the Seattle Center, a 74-acre park that served as the grounds for the World’s Fair. Once we arrived there, we decided to forego a trip up inside the Space Needle in favor of two other things we decided were higher priorities.

First, my younger daughter had her “portrait” drawn by a really great caricature artist named Max (“like Mad Max”). We waited a long time in line, but it was worth it.  The caricature is my daughter’s favorite souvenir of our trip, and she kept it closely by her side throughout the journey back home, awkwardly carrying it (framed in a matte about 18″ x 24″) through the airports, while also dealing with her bags, and stowing it on the plane in the narrow space between her window seat and the cabin wall.

After getting the caricature drawn, we went into a fabulous museum located at the foot of the Space Needle: Chihuly Garden and Glass, containing glass sculptures by the famed Dale Chihuly.

What an incredible experience!

Inside, the museum was a fairyland of glass and color and light and darkness.

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You probably noticed the reflections in the pictures above. Chihuly is famous for hanging his glass chandeliers above water. For a wonderful intro to his work if you’re not familiar with Chihuly, see Chihuly Over Venice, a 90-minute documentary about his 1996 installation of chandelier sculptures over the canals of Venice (you can view a sample/trailer here, at Chihuly’s website). Once you see the glass reflected in the dark water, you’ll understand as I did why his work in museums always seems to be placed above a polished, black reflective surface. The mirror image is as important to the viewer’s experience as the sculpture itself.

The photo below is a panorama I shot of two canoes laden with glass bounty—seemingly gliding through still waters at night.

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Sometimes the larger sculptures are impressive but kind of meh from a distance—revealing their intricate beauty only upon closer examination of the details.

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Outside the museum was a garden to rival Monét’s home in Giverny—except with lots and lots of glass.

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With a couple of very tall, sculptural-glass “plants.”

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One of which rivals—but will never match 🙂 —the height of the Space Needle.

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Dale Chihuly was born in Tacoma and is now based in the Seattle area, so maybe it’s no surprise that the bath in our hotel room was graced with this photograph bearing Chihuly’s handwritten caption: “Cobalt Blue & Green Chandelier over Black Rock, Nuutajävi Finland Part I, June 1995.”

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All in all, a very good trip (sigh of contentment).

So now we’re back. And I have all my usual post-conference stuff to do (not to mention a mountain of laundry 🙂 ). But I wanted to get this post up before jumping back into Milwaukee life.

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Stream of YouTube Consciousness: Fred Astaire, Bob Hope, and Elmer Bernstein at the 1970 Oscars (plus Ellen DeGeneres’s selfie; Janis Joplin’s riveting Monterey Pop Festival performance; and the themes from “Ironside” and The Magnificent Seven)

Long title, but bear with me 🙂  I came across this clip of Fred Astaire dancing at the 1970 Academy Awards ceremony the other day—and marveled that one could have watched the Oscars broadcast that year and witnessed such entertainment. (If you want to cut straight to the chase, you can zip ahead to where Astaire starts dancing, around the 3:20 mark.)

Several things in this clip stand out to me.

For one, Fred Astaire and Bob Hope, presenters of the Academy Awards for Best Documentary Feature and Best Documentary Short, actually talk with each other instead of reading some lame “joke” off the teleprompter.

For another, the winners of these Oscars actually get a chance to make little speeches and thank people instead of being given the bum’s rush to get off the stage ASAP.

Third, everyone in this clip, even the guy in a tux who hands the Oscar statuette off to to the winners, seems like an adult to me.  Being a “grown-up” meant something quite different in 1970 than it does today.  There’s something juvenile about the Oscars shows now, from the incomprehensible “in” jokes to the pseudo-impromptu moments of product-placement (as apparently Ellen’s “selfie” was—although I love Ellen and everyone who was in that photo 🙂 ).

One last point: that melody Fred Astaire dances to is pretty jazzy. It reminds me of the jazzy scores that hip movies or television shows had back in the late 1960s, early 1970s. Like the theme from Ironside, by Quincy Jones.

Apparently jazz had a moment around that time and could have become as dominant as rock in popular culture.  At least according to what I read in Clive Davis‘s memoir, The Soundtrack of My Life (a really good book, by the way).

Davis, a legendary figure in the music industry, was once president of Columbia Records and founded (and was president of) Arista records.  Davis discovered all kinds of talent; I mean he has sort of been the man behind American popular music for decades.  I truly admire his talent.

At one point in his book, Davis talks about discovering Janis Joplin at the Monterey Pop Festival and describes her performance as mesmerizing, something you couldn’t take your eyes off of.  I was quite skeptical reading this.  Janis Joplin was before my time, but all I could think of was this drugged-out woman with bushy, long hair hiding her face as she screamed out lyrics in a coarse, hoarse voice.

But out of curiosity I looked up the video of Joplin’s Monterey Pop Festival performance. Yep, mesmerizing.  Something you can’t take your eyes off of.

Especially her rendition of “Ball and Chain.”

(That’s Mama Cass Elliot of The Mamas & The Papas in the audience there at the very end, clearly saying, “Wow.”)

Back to the original clip of Astaire dancing, that’s Elmer Bernstein down in the orchestra pit, FYI.  Yes, Elmer Bernstein of The Magnificent Seven‘s musical score, not to mention many, many other films’ musical scores. And he’s the musical director for the 1970 Oscars show.  That would be like, I don’t know, Howard Shore or John Williams turning in a stint at this event, which I’m pretty sure neither of them ever has. I found this clip of Bernstein talking about his work that year.

Every song he mentions that was nominated for Best Original Song is one that I’ve heard of and even sort of know well enough to sing—and I’ll bet you do, too. (I can’t say the same for any of the lists of nominees in recent years.)

On YouTube I found this homage compilation of someone’s favorite scenes in The Magnificent Seven, complete with Elmer Bernstein’s score. Enjoy!

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Update on that ship in my last post

After I put up my Saturday photo of Lake Michigan, my friend Jo, who lives on the lakefront downtown, told me that ship in the picture had been anchored there all week. Apparently the ship has been the topic of much conversation the past several days! This morning’s paper had an article about it, and I just found an update saying that the ship is getting ready to leave.

FYI 🙂

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Lake Michigan, on a blustery end-of-May day

I had lunch today with my writing group at one member’s residence on Prospect Avenue overlooking Lake Michigan. In January I took a photo from the bluff, braving bitterly cold wind without gloves for the few seconds it took to snap the picture.

This afternoon the wind was so stiff  that I had trouble standing still in one spot to take this picture of a ship out on the water.  I could barely keep my footing—and I had to grip the phone tightly with both hands to make sure the gusts didn’t snatch it right out of my fingers!  The wind pelted me with rain and lashed my hair across my face, so I really couldn’t even see whether I’d gotten the photo I wanted until I checked my phone later.

As you can see, that wind out of the north was so strong that I couldn’t even take the picture straight 🙂

Ship on Lake Michigan, from Milwaukee bluff on a windy, rainy day katherinewikoff.com

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Tree shadows growing along a wall (à la Edward Hopper)

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Somehow these slanted early-morning shadows remind me of Edward Hopper’s “Early Sunday Morning,” which you can see here in the Whitney Museum of Art collection.  That sweep of light washing swiftly down a street, stretching everything in its path into spindly lines across the landscape.  The sharp angles as these shadows encounter and are bent by obstacles of their own.  Such drama in the stillness 🙂

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Sixth Street Viaduct

Milwaukee's Sixth Street Viaduct

I took this photo of the Sixth Street Viaduct over Milwaukee’s Menomonee Valley while waiting to cross the street after dropping my younger daughter off at the train station this morning.  She caught the 8:05 Amtrak Hiawatha for a field trip with her art history classmates to the Art Institute of Chicago and the Museum of Contemporary Art, Chicago. What a sweetheart—and so looking forward to this experience!  She even made a list of all the artworks she wants to see so she won’t miss out on anything.

But going back to my picture, I love that the iPhone camera lens has a zoom feature.  The above close-up shot of the viaduct makes a cool photograph, while the image below taken with the “shorter” lens is kind of “meh.”

 

 

IMG_0627[1]The Bublr Bikes are a relatively new addition to the Milwaukee scene.  There are bike stations like this scattered around Downtown, the Lakefront, and the Lower East Side, which makes it easy to get on a bike in one place, ride it to your destination, and then just leave it there instead of needing to return it to the original location.

 

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Val. Blatz Brewing Company – 1901 / 1946 / 2015

Blatz bottling facility and refrigeration/warehouse buildings

It was the lines that got me.  I’ve passed this way so many times, but for some reason the strongly oppositional vertical and horizontal lines had never presented themselves so starkly before.  So I had to get out my phone and take a photo.  Both buildings are part of the old Val. (with a period 🙂 ) Blatz Brewing Company, but each represents a vastly different era.  The building on the right is the older of the two, obviously.  It was built in 1901.  The newer building was built in 1946.

I took this photo several weeks ago in early March as I was walking from my office to my Great Books event—a sold-out session on The Man in the Gray Flannel Suit with lots of intriguing discussion not only about the novel’s theme and characters but also about World War II and the three-martini lunch, corporate workplace, and suburban family life of the 1950s.  Not to mention we had maraschino cherry cake for dessert 🙂

MSOE’s Great Books Dinner & Discussion evenings are held in the former company offices of the Val. Blatz Brewing Company, now MSOE’s (Milwaukee School of Engineering) Alumni Partnership Center.

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Below is another photo of the Alumni Partnership Center, drawn from the Historic Photo Collection in the F. P. Zeidler Humanities Room (Frank Zeidler was mayor of Milwaukee in the mid-twentieth century) of the Milwaukee Public Library’s digital archive (view the full-sized version here).  This photo, taken back when the building was the Blatz Brewing Company General Offices, is labeled “pre-1960″—and certainly looks it!

Blatz Brewing Company General Offices (Historic Photo Collection, F.P. Zeidler Humanities Room, Milwaukee Public Library, used with permission)

Blatz Brewing Company General Offices (Historic Photo Collection, F.P. Zeidler Humanities Room, Milwaukee Public Library, used with permission)

And check out this photo (again, view the full-sized version  here in the Milwaukee Public Library’s collection).  Arches towering over Broadway mark the entrance into the Blatz Brewing complex.

Val Blatz Brewing Company complex entrance (Historic Photo Collection, F.P. Zeidler Humanities Room, Milwaukee Public Library, used with permission)

Val Blatz Brewing Company complex entrance (Historic Photo Collection, F.P. Zeidler Humanities Room, Milwaukee Public Library, used with permission)

No traffic whatsoever in this photo except for three horse-drawn wagons showing up teeny-tiny in this photo, in the middle of the center and right arches, on what is now a very busy street!  The dates on either side of the words “Val. Blatz Brewing Company” are 1845 and 1895—so the arches would have marked the company’s 50th anniversary.

With its columns astride the street, this archway reminds me of the Colossus of Rhodes 🙂

Can you make out the six-pointed star right under the “B” of the “Val. Blatz” name at the top center of the archway?  There’s also a gigantic version of that star on the front of the building behind the archway.  I noticed this same kind of star on one of the historic Miller Brewing buildings the other day as I drove through Miller Valley.  Then I wondered if maybe Frederick Miller had been Jewish and thus put the Star of David on his building.

However, seeing a similar star on the Blatz sign in this photo made me question that assumption.  Sure enough, I did a little digging and discovered that the six-pointed star has special significance for beer makers. It is called (in German) the “Bierstern” (beer star) or “Brauerstern” (brewer star) and is a traditional sign for places where beer is brewed or tapped.  Sort of along the same lines as the traditional pawnbroker’s sign of three hanging balls.  Isn’t that interesting?  Learned something new today 🙂

I snapped the pictures below of the newer Blatz building (the one on the left in the first photo in today’s post) while waiting for the traffic light to change at the corner of State and Broadway.

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Don’t you love the aerodynamic sweep?

MSOE Campus Center

I’ve always felt a kinship with this building.  When I moved to Milwaukee in the early 1980s, I think it was owned by Pabst, another now-defunct Milwaukee brewery.  At that time it was one of the most striking buildings I’d ever seen, very Art Deco/Moderne —as seen in Airstream trailers and streamlined 1930s automobiles and not to mention the Milwaukee Road’s Hiawatha) —with parallel tubes of purple neon lighting that wrapped around the rounded corners and emphasized the building’s curved lines.  At night it glowed like a beautiful alien spaceship.

This image I found on Pinterest of The Brothers Lounge in Cleveland comes closest to approximating the look.

Thirty-some years ago I used to change my driving route deliberately in order to go past this building.  That’s how much joy I got from seeing it.  And now I teach here several times a week and walk past and through it every day.  Life is certainly surprising in its concentricity!

I had to search for quite a while to discover when the building went up.  I never did find an official opening date, but I did find this photograph in the Milwaukee Public Library’s collection.  You can view the original here.  The photo, dated August 22, 1946, shows the Blatz Brewery Bottle House under construction (that’s City Hall in the background).

Blatz bottling facility under construction 8-22-1946

Blatz Brewery Bottle House under construction, August 22, 1946. Photograph by Graphic Studios Commercial Photographers (Historic Photo Collection, F.P. Zeidler Humanities Room, Milwaukee Public Library, used with permission)

Here is the same building today (now MSOE’s Campus Center) from a similar vantage point but shot from a lower angle.

Milwaukee School of Engineering Campus Center (from the 2014-2015 Undergraduate Academic Catalog)

Although the building has been updated and adapted for use as a university facility, it still contains many of its original features.

For example, this drinking fountain, with a note that you should let the water run a few minutes before drinking—presumably because it’s been sitting in old lead pipes.

Moderne drinking fountain

Also these doors.

Moderne doors

And this mural.  In keeping with the “beer” theme of the building, those are hops hanging down from the top and stalks of barley on the bottom.

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So that’s today’s little local history lesson about the Val. (short for Valentin) Blatz Brewing Company.  Hope you enjoyed it! 🙂

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Milwaukee Grayscale

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I noticed this bird atop a light pole as I left campus tonight. Downtown Milwaukee has been partially shrouded by mist/fog today, most likely caused by the difference between air and Lake Michigan temperatures.  Away from the lake it was warm and sunny.

Below is City Hall, the bell tower and flag vanishing into the mist. On days like this, the top two-thirds of skyscrapers are swallowed by fog.  It’s very strange to be high up in one of these buildings and look out at nothing but gray fog pressing against the windows. Kind of  claustrophobic.

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