Ndamukong Suh – A Lifelong Learner to Learn From

Today’s Wall Street Journal has an article on the back page of the “Personal Journal” section titled “The Bruiser and the Billionaire.”  A truly inspiring read for anyone interested in lifelong learning!

Detroit Lions’ defensive lineman Ndamukong Suh, the subject of this article (the “Bruiser” of the title), is a really smart guy, who has been preparing for his post-football career for years (he’s only 27).  His college major was construction management, and Suh credits the many engineering classes he took with developing his ability to problem-solve.  Suh also learned how to manage his time in such a way that lifelong learning has become part of his daily routine:

Everyone says, “Wait til [sic] your football career is over.” Or the biggest saying is always “Life after football.”  But as an athlete, someone who is bright enough and understands how to compartmentalize, and has time management from already having two jobs at once—playing football and going to class and getting good grades—you can have 70 to 90% of the focus on your ultimate job but at the same time slowly build to what you are going to be one day.

Suh first met Warren Buffett (the “Billionaire,” obviously 🙂 ) at a game during his time playing college football for Nebraska.  Because Suh hoped to learn as much from the Bershire Hathaway chairman as possible, his coach helped put them together again.  The two men have developed a mentoring relationship, and Suh has also routinely met with other athlete/businessmen like Magic Johnson, Roger Staubach, and Junior Bridgeman (a former Milwaukee Bucks player I remember from his days on the team).

In fact, Suh devotes every Tuesday, his day off from his job as a professional football player, to talking with advisors and studying contracts—in short, to learning about business and finance.

A similar learning culture has been created at many innovative companies, a culture that encourages continual self-directed learning among the employees.  Google has its famous 20% time.  Pixar University (described in this 2006 New York Times article) encourages all employees to spend four hours every week taking classes to learn about some aspect of film making.  Randy S. Nelson, dean of Pixar University, subsequently moved on to Apple and is now the Director of Apple University.  And for about 65 years 3M has encouraged its employees to spend about 15% of their working time on their own projects, resulting in innovations like Post-it Notes (see the company’s “Time to Think” page describing their 15 Percent Time).

The Pareto Principle (better known as the 80/20 rule) states that approximately 80% of your results arise from 20% of your causes.  I’m misusing the concept here a little, but looking at Ndamukong Suh’s time management strategy for spending one day per week to learn about business and finance while spending the rest of his work week focusing on his highly successful NFL career seems instructive.

Comedian Jay Leno “reportedly lives off of revenue from stand-up gigs and banks the rest,” according to Forbes magazine’s profile on the former “Tonight Show” host.  That’s not quite the same thing, either.  But Leno recognized that television is fickle.  An interview/profile published in The Wall Street Journal on August 21, 2009, described Leno’s practice in a way that sounds remarkably similar to Ndamukong Suh’s time management strategy:

Using a tactic he picked up as a teenager juggling jobs at McDonald’s and a local Ford dealership, Mr. Leno lives off his earnings from doing stand-up and banks his NBC salary, he says. “It just keeps your head straight,” he says. “In TV they can fire your ass at any minute for whatever reason. OK, I’ll be in Vegas.”

Opting not to depend on “The Tonight Show” for a living gave Leno the freedom to create  a nightly show that could take more chances, be more “out there” than it might have been had financial security been a primary concern.

So here is my takeaway from the Ndamukong Suh article.  When it comes to self-directed learning, innovation, and creative exploration, a strategy of “compartmentalizing”—keeping safe some small but significant percentage of your time/money (time is money in some ways, right?)—seems essential for any person or organization seeking growth.

 

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Bruno Mars—as you’ve (probably) never seen him!

I’m teaching contemporary literature this quarter at Milwaukee School of Engineering, and the text we’re discussing this coming week is literally hot off the presses—”The Flick,” which is the play that won the Pulitzer Prize for Drama last spring and which just came out in book format about a month ago.

Anyway, as I was paging through the play tonight to prep for tomorrow’s class, I reread a section where one of the characters, who is a major film lover, discovers in a dream that his favorite movie was not a classic or anything by Truffaut or Tarantino but was, instead, Honeymoon in Vegas.  Not knowing much about this film, I went straight to Wikipedia to see if I could figure out how its plot relates to the play.

I quickly got sidetracked when I glanced through the cast list and saw a familiar name: Bruno Mars.  What?

First of all, just in case you don’t know who Bruno Mars is, here is his spectacular Super Bowl halftime performance from last winter.

So back to Honeymoon in Vegas.  How could Bruno Mars have been in that film?  It came out in 1992.  Mars was born in 1985, which would have made him seven in 1992 and even younger when the movie was shot.

Well, Mars turned out to be one of the film’s many Elvis impersonators.  Take a look at his adorable “Little Elvis” scene below.

The first time I ever saw Mars perform was at the Grammy Awards show in February 2012.  Electrifying!  And I marveled that someone could be so very polished and accomplished at such a young age.

Little did I realize:  Mars had already been practicing his craft for over twenty years!

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F. Scott Fitzgerald: Football Genius?

I was about to toss yesterday’s Wall Street Journal into the recycling bin this morning but realized I hadn’t read the “Review” section.  Am I glad I took a minute to page through!  On page C3 was this excellent essay/article, “Fitzgerald and the Football Revolution,” by Kevin Helliker.

The gist of the article—and I love stories like this—is that in 1956 a romance languages graduate student at the University of Michigan thought to interview the head football coach, Fritz Crisler, for the school newspaper to see whether, by chance, he’d ever had contact with F. Scott Fitzgerald during his years coaching the Princeton team.

Apparently what this graduate student knew, and most people didn’t, was that Fitzgerald was a lifelong devoted fan of Princeton’s football team.  When Fitzgerald died of a heart attack at age 44, according to the WSJ article, he was in the middle of reading a Princeton Alumni Weekly analysis of the upcoming football season.  (The WSJ article also notes that Fitzgerald had written notes in the margins, “which makes college football the last thing he ever wrote about.”)

Why, yes, Head Coach Fritz Crisler told the grad student, Donald A. Yates.  He had had contact with Fitzgerald during those years at Princeton.  In fact, Fitzgerald used to call him up in the middle of the night before game day with ideas about plays the coach should use.  Often Crisler could hear “the laughter and cries of a dying party” in the background.  (Crisler’s Princeton coaching years were 1932–1937.)

Fritz Crisler is famous for inventing “two-platoon football,” or the use of two separate offensive and defensive teams.  Prior to that innovation the same eleven players played the entire game, switching off between offense and defense.  Yates knew little about football, so when Crisler told him that one of Fitzgerald’s “fantastic” ideas was “a scheme for a whole new offense[, something] that involved a two-platoon system,” Yates didn’t realize the import of that statement and didn’t think to follow up by asking whether Fitzgerald, in fact, gave Crisler the idea that revolutionized the sport.

Reflecting on the interview conversation today, Yates (a professor emeritus of Latin American literature at Michigan State) says, “That seems to be what he is saying.”

The author of the WSJ article found additional support for Fitzgerald’s influence in a 1962 Fitzgerald biography written by Andrew Turnbull.  Turnbull cites an athletic manager under Crisler at Princeton who remembers getting a call from Fitzgerald during those years saying, “Princeton must have two teams.  One will be big—all men over two hundred [pounds].  This team will be used to batter them down and wear them out.  Then the little team, the pony team, will go in and make the touchdowns.”

I find it fascinating that people who are creative innovators in one area so often turn out to be creative innovators in multiple other areas.  The term for people like this is “polymath,” and their numbers include people like Leonardo da Vinci, Benjamin Franklin, actress Hedy Lamarr, Doobie Brothers/Steely Dan guitarist Jeff Baxter, and many others.  (Hmm, this is a topic I should probably blog about 🙂 )

This Wall Street Journal article is really interesting and well written.  If you have time you should link over and read it.

[UPDATE – September 29, 2025. I noticed this post getting lots of views today and managed to find discussion linking over from Bluesky and Reddit. HELLO! if that is the case with you. I found a very sharp, with-it Reddit contributor involved in the discussion about Fitzgerald there two years ago (shout out to Omynt), who was able to contribute direct links to both the Wall Street Journal article (no paywall) and the 1956 Donald Yates article interviewing the Michigan football coach. Because there’s so much interest in this topic and post today, I thought I’d also link to those articles from my blog. But all credit for tracking these sources down goes to Omynt!]

Wall Street Journal article LINK HERE.

The Michigan Daily article (to view entire article on pages 1 and 2, download the “issue” PDF, all 8 pages) LINK HERE

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Cloudy Windows

Here’s a picture I took this morning around 10:15 while walking to the Red Arrow Starbucks.  Not a dramatic image in itself.  But if you click on the top half of the building to enlarge it, the reflected clouds start to assume this weird Magritte or M.C. Escher character, in which it’s not clear where the sky starts and ends or whether you might be gazing up at the sky through an empty grid of concrete.  Kind of fun, so I thought I’d share 🙂

Cloudy windows

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Milwaukee’s City Hall Under a Cloud

Hee hee 🙂

Milwaukee City Hall under a Cloud

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“Unsquare Dance” in Silver Linings Playbook

I’m showing Silver Linings Playbook in one of my classes this week, and for the first time I really thought about how interesting it is that Dave Brubeck’s “Unsquare Dance” is the song playing as Tiffany walks out to meet Pat for their first date. (Well, maybe not a “date” after all, as Pat orders raisin bran 🙂 )

Brubeck’s “Unsquare Dance” has a 7/4 time signature, which makes the beat very unsettled, kind of asymmetrical and off-kilter. For Pat, who is attracted to Tiffany while still wrongly convinced he’s in love with his ex-wife Nikki, this moment is full of import. He is most definitely off-balance and perched unsteadily at the edge of this new relationship opportunity.

Anyway, I wanted to double check the time signature, went to Wikipedia’s entry, and then happened upon a wonderful video of a talented duo dancing to this exuberant song. Looks like it must have aired on television in the early 1960s. You know, if programming like this were the norm today, I’d watch a lot more television. Enjoy!

UPDATE (August 25, 2022): The YouTube clip is gone, but I found the video on Facebook. Here’s the link.😀

https://fb.watch/f7uzPDWGHV/

And as long as I’m updating this post, here’s a clip from another amazing movie, Baby Driver, that also uses “Unsquare Dance” to excellent effect.

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Delta’s “Innovation Class” makes flying meaningful

I just stumbled across Delta’s “Innovation Class” program.  What a truly innovative ( 🙂 ) idea!  Which is this: you can apply to sit next to a really cool person who is flying somewhere, usually to a conference or similar event in their field.

The program’s name has such a clever twist in meaning, too—with “class” simultaneously signifying both an airline seating category and a “master class” mentoring/learning experience.

Here’s how Delta describes its Innovation Class program:

Our jets fill up with some of the smartest people in the world. Leaders in technology, science, the arts and more.

But why should a flight just be a simple flight? Could these leaders use this time in the air to not just fly, but to share their knowledge with an up-and-coming professional in the seat next to them? We think so.

From this idea Delta Innovation Class was born.

It’s a mentoring program – that just so happens to take place at 35,000 feet.

We will be selecting leaders in innovation on their way to events around the globe for the program. They’ll be sitting in the mentor seat. The seat next to them will be open. This is your chance to sit in that seat. We’ll fly you to the event, get you in to the event, and, most importantly, give you one-on-one access you might never otherwise get.

The Delta Innovation Class web page even has a place for you to suggest mentors for future flights.  If you have to fly somewhere anyway, how great would it be to sit next to someone really fascinating?  Whom you would never have such access to anywhere else.  And who might offer information and insights that could change your life.

I swore I’d never fly Delta again after a frustrating experience several years ago.  But I’m rethinking that now.

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Fuzzy Wuzzy, “Vintage” Soap

I have no idea why this product from my childhood randomly popped into my thoughts this morning.

I vaguely recall being allowed to get Fuzzy Wuzzy soap at least once.  All my friends were fascinated by it.  Does anyone know the science behind a soap that grows fur?  It’s hard to believe something this innovative is no longer available in stores 🙂

But look!  Collector alert!  Someone is selling Fuzzy Wuzzy on eBay, five animal-shaped soaps in their original boxes with the store display for $399.  Truly, the world is an amazing place, is it not?

Untitled

 

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The Northern Soul Project – Sociology of an Underground Music Culture (post #3)

I found another BBC documentary about Northern Soul. This one aired September 25, 2013, on BBC2 in the United Kingdom. It is titled “Northern Soul: Keeping the Faith” and appears to have been part of a series called “The Culture Show.”

(Note, in doing maintenance to make sure links are still working in my old posts, I discovered that the YouTube video embedded above has been blocked. Now it seems to be working again. However, in case it’s not someone has also posted the documentary on Vimeo. Link here: http://vimeo.com/85002091 )

This documentary seems related to “Living for the Weekend,” the July 2014 documentary airing on BBC4 that I posted about in my last installment, which you can read here. (Who knew there were all these separate BBC channels?  I always thought BBC was just plain old BBC, period.) Some of the archival footage in today’s BBC2 documentary also ran in the BBC4 film. Plus I recognize some of the club dancers who are reminiscing about their youth and reconnecting with their decades-old dance moves. However, while the BBC4 documentary focused on the clubs, music, and DJs, the BBC2 documentary is more about the “people” aspect and sociological phenomenon of Northern Soul as an “underground” music culture.

So again, like last time, a few thoughts in reaction to this documentary.

1. Northern Soul was/is a drug scene.  First and foremost came the dancing.  But people featured in the two documentaries I watched are candid about the drug use. The fact that some of the early Northern Soul clubs didn’t have liquor licenses may account for one reason people bought and sold amphetamines outside the dance halls.  Beyond that, though, people didn’t want to be mellowed out by alcohol. Amphetamines gave them the “up” feeling they sought in dancing. They might not have had the stamina for the all-night dance clubs without the drugs.  Yet “speed kills,” as the saying goes. The veteran dancers regretfully acknowledge friends who were lost to drugs.

2. Northern Soul was/is about community.  People of all ages, young and old. One of the veteran dancers profiled in this documentary is a woman named Fran Franklin. Growing up in 1970s northern England with a black father and a white mother, Fran says she always felt like an outsider until she went to her first Northern Soul dance. There she discovered that her skin color didn’t matter, and she was welcomed into the family of dancers. She describes the experience as finding her home.

Club-goers came from all over England to the weekly all-night dance events. When they said their goodbyes Sunday morning as they returned to their normal lives, they always said, “See you next week,” to each other—because they would. You saw the same people weekend after weekend, becoming very close to one another as a result. Dancers were part of a close-knit network made up of people from many different cities, many walks of life.

The nearest thing I can think of to approximate this kind of community in America might be Harley-Davidson riders. Maybe that’s because I live in Milwaukee, home of Harley-Davidson and the scene of H-D rallies and periodic “reunions” in summer. Riders make the pilgrimage from all over the world and come from all walks of life. What they have in common is their passion for their bikes and the riding lifestyle.

3. Northern Soul was/is about the vinyl.  Vendors and collectors even today apparently set up shop outside the dance halls to buy and sell rare Northern Soul records. Posters I’ve seen online for dance events often advertise the fact that “vinyl” will be available for purchase.

4. Northern Soul dance attire had/has a specific “look.”  Wide, flared pants and suspenders for the men, sort of mid-1970s disco era style. Circle skirts for the women, very similar to the “poodle” skirts American girls wore in the 1950s (but minus the poodle appliqué). For both men and women, form seems to follow function. Men’s dancing is very athletic, basically what Americans usually think of as “breakdancing,” with James-Brown-style spins and fancy footwork on the floor reminiscent of pommel-horse moves in men’s gymnastics. Women’s dancing incorporates lots of spins, as well. Here, the circle skirts add greatly to the spinning effect, flaring completely outward. If she spins in opposite directions, a dancer’s skirt flies out, furls tight around her legs when she stops, then opens again like a blooming flower as she spins the other way.

5. Northern Soul is stuck in the musical past. Except not. This is the greatest paradox I’ve found so far.  Northern Soul seems to be deeply rooted in those rare Tamla Motown and other old blues/soul/pop 45 rpm records. Disco has a similar 4/4 beat, but, Northern Soul dancers disdainfully rejected it back in the late 1970s. Purists seem to want nothing but the real stuff.

Yet, at the same time, there’s apparently some openness to new music. I kept running into the strangest pairing in my Internet wanderings: Northern Soul and . . . Pharrell Williams? I’m not sure what the connection is yet. Is “Happy” actually an old tune from the 1960s? Or does it just have the same upbeat Tamla Motown sound.

In either case, I think you’ll enjoy watching these two videos. The first is Pharrell Williams closing out the Brit Awards television show this past February with “Happy.” Note the circle skirts/wide pants and Northern Soul dance moves.

The second video is “Northern Soul Girl” Levanna dancing to “Happy.” I don’t know who Levanna is, but she’s got a few Northern Soul dance videos up on YouTube. She seems so happy dancing that just watching her makes me happy. Look for the older gentleman around 1:39; he reminds me of the veteran dancers in those BBC documentaries.  Which is one of the coolest things I’m discovering about Northern Soul: Young or old, from whatever walk of life, there’s room for everyone in this community of people who love the music and live to dance. (P.S. I’ve noticed since embedding this video that its original YouTube uploader has apparently monetized it, so I apologize for any ads you may see.)

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Shadow and architecture, Grohmann Museum

Grohmann Museum

I couldn’t resist snapping this photo with my iPhone just before 5:00 p.m. this afternoon in the Grohmann Museum on the campus of Milwaukee School of Engineering.  As I approached the atrium’s spiral staircase on the way from my office to copy machine, I was struck by the patterns of shadow and light, glass and steel.

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